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更新时间: 2024-06-16 17:28:40
Q问:天龙八部全集黄日华版
提问时间: 2024-05-21
Q问:铁齿铜牙纪晓岚下载
提问时间: 2024-06-02
A答:80s视频
解答时间: 2024-04-26



剧情介绍:  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
Q问:泰坦尼克号电影下载完整版下载
提问时间: 2024-04-13
A答:80s视频
解答时间: 2024-06-05



剧情介绍:  香港青年苏晓宛于结婚当日被新郎抛弃,独自踏上了一个人的蜜月旅程。  当苏晓宛到达风光明媚的珠海,巧遇了也从香港来珠海公干的忠实厚道的伟伦。一场阴差阳错的误会后,苏晓宛强行要伟伦做她七天“结婚恋人”,陪她完成这个“蜜月假期”。他们的行踪被苏晓宛的亲哥哥阿成发觉。阿成因担心其妹而暗中跟踪他们。伟伦虽表面勉强但暗中心花怒放。  苏晓宛的突然失踪,令苏晓宛的好友阿梨和阿娟担心不已,两人决定要揭发伟伦的“真面目”,不但悄悄跟踪二人,更让阿娟设计陷害伟伦。苏晓宛见此情景,对伟伦产生误会,开始争吵起来。  阿梨继续恶意破坏,来证明队伟伦不是好人。伟伦好友志远偶然揭发一切是阿梨在作怪,所以处处与她为敌,闹出不少笑话。苏晓宛与伟伦明明很在意对方,却为了面子问题,不肯承认。就在此时,苏晓宛在沙滩遇上性格乐观开朗的陈冬凡,苏晓宛被他的阳光气息吸引,异常投机。原来陈冬凡是阿成的多年好友,陈冬凡受阿成所托,要好好照顾其妹。阿成暗地里连番试探伟伦,希望多了解此人。苏晓宛当然毫不知情。  玩闹的“七天蜜月”中,苏晓宛虽说敢作敢为,但也开始怀疑这段错乱“婚恋”质疑自己。而伟伦糊里糊涂做了苏晓宛的限期“丈夫”,由最初怀着玩闹心态,渐渐觉得应该认真对待爱情,但始终不知如何是好!  等到假期最后一天,伟伦才发现自己原来已深深爱上苏晓宛!那么,伟伦还能讨回苏晓宛的芳心吗?
Q问:行尸走肉第四季迅雷下载
提问时间: 2024-05-13
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